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There are movies that exist only to highlight the towering work of their performers, and then there are films like The Dresser. A play by Ronald Harwood first staged in 1980 and re-envisioned for the silver screen in 1983 with Albert Finney and Tom Courtenay, the feature-length appreciation of the theatre with an eye toward the actors willingly indentured to it functions almost surprisingly well as a meta-narrative on aging, acting and the differing perspectives on the importance of both

Features: Art Deco geometric sequin pattern

Well, thats when I first start to incorporate brighter colors (in small doses) back into my wardrobe

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