Cut Out - A Feminist History of Photo Collage, Montage and Assemblage David Shrigley and filmmaker Charles Finch

and filmmaker Charles Finch

and we consider how it informs the stories nations tell about themselves

When Quentin Tarantino burst onto the big screen with Reservoir Dogs in 1992

Tethering Presence NYC

Cut Out - A Feminist History of Photo Collage, Montage and Assemblage David Shrigley and filmmaker Charles FinchCut Out A Feminist History of Photo Collage, Montage and Assemblage Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage a radical reclaiming of craft traditionally associated with women as a resilient method within feminist and political art.