Lousiana IV by Florent Bodart Henri Rousseau pulling surrounding forms into its

pulling surrounding forms into its orbit

Nico Tracey's 'Barbican Centre' translates one of London's most iconic Brutalist landmarks into a graphic design composition of striking formal clarity

honouring the original illustration's depth

clean negative space

Lousiana IV by Florent Bodart Henri Rousseau pulling surrounding forms into itsThe fourth and final Louisiana image steps back to consider the whole a wider view that gathers the themes of the preceding frames into a single resolved composition. Water, sky, and structure exist here without hierarchy; Bodart's camera finds the point where the museum ceases to be a building and becomes part of its own landscape. The light is flat and even in the way only Scandinavian grey can be: generous, non directional, and curiously warm. It