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the Kostis recordings reveal an entirely different underworld of the macabre and illicit
The screen flickers for the first time this year with a transmission from two months in the future:
With nothing more than cryptic broken-English album sleeve notes to reference
plastic and ornamental trappings of the modern-day grind scene
Alexandra Spence - a veil, the sea CS xx1980 the Kostis recordings reveal anAlexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney, Australia. Through her practice Alex attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies and object interventions (she holds the belief that electricity might actually be magic). Mappa a veil, the sea